By Alexei Key
Victoria Beckham‘s Spring 2025 collection takes us right into the heart of the dressing room, where the magic—or perhaps the mischief—really happens. It’s not just about putting clothes on; it’s about the intimate dance between fabric and skin, exposure and concealment.
This season, Beckham dives deep into the idea of undressing as much as dressing. She’s playing with the boundaries of what’s seen and what’s just suggested. Imagine tailored jackets with a third of them missing, revealing glimpses of what’s underneath. Trousers aren’t just trousers anymore—they’re art pieces, slashed open at the front to create unexpected windows to the skin.
There’s a playful nod to nudity without actually being nude. Bodies are traced along the hip bone with fabrics matching skin tones, giving off an illusion of bareness. Knitted lace rompers cover the torso but hint at what’s beneath, blurring the lines between being dressed and undressed.
The iconic bias-cut satin dresses make a comeback but with a twist. They’re floor-length, erratically tucked around the body, making the fabric move in a way that’s almost hypnotic. And for those eager to snag a piece right away, the algae green version is dropping on VictoriaBeckham.com immediately after the show.
Beckham isn’t just stopping at fabrics; she’s molding them—literally. Delicate bustier dresses and tops come with bows crafted from floral-printed fabric that’s been resin-coated around the bust. Each piece is molded to fit, almost like a second skin, hovering over the body and adding a rigid contrast to the fluidity elsewhere.
Sheer georgette gowns adorned with hand-embroidered sequins wrap around the silhouette, teasing the eye about what’s actually covered. Translucent jersey dresses and bustiers feature cascading coils of wire from the neckline to the hem, amplifying the body’s natural movement.
There’s a clever play on the rituals we all know. Boned trousers and skirts seem to float away from the body, mimicking that moment when you hold up a garment to see if it fits. Trench coats and tailored trousers come with exaggerated creases and folds, echoing those spontaneous adjustments we make—like turning over a waistband to shorten a length.
The collection also flips the script on traditional garment construction. Inside-out blazers drape from the shoulder, showcasing linings that are usually hidden. Leather jacket cuffs are left unbuttoned and exaggerated, as if just pulled from the closet. Funnel-neck leather tops capture the sculpted shoulder that naturally forms when you push up a sleeve.
Color-wise, there’s a personal touch. The palette draws inspiration from Jean-Michel Basquiat artworks that adorn Beckham’s own walls, adding an artistic layer to the collection.
Accessories continue the theme of illusion and exposure. Pointed pumps sit on plexiglass banana-shaped heels, creating a floating effect. Sandal boots merge into tights, disappearing into the overall silhouette.
Bags get the see-through treatment too. Clear materials encase signature Victoria Beckham shapes—think oversized suede totes, laser-cut leather pieces, and the classic Dorian bag with its signature buckle. It’s all about showcasing what’s usually kept inside.
Even the eyewear and jewelry aren’t left out. Silver-framed sunglasses contour to the face, echoing the collection’s second-skin vibe. Spiral ribbon jewelry set in resin mirrors the fluid lines and dressmaking details seen throughout.
Victoria Beckham’s Spring 2025 isn’t just a collection; it’s a conversation about intimacy, exposure, and the playful rituals of getting dressed. It’s bold, it’s personal, and it’s undeniably now.
