Pedro Pascal has stealthily ascended the ranks of fashion icons, captivating audiences with his distinctive and evolving style. Affectionately dubbed the internet’s “zaddy,” an attractive older man who is both fashionable and charismatic, his daring choices not only showcase his personal flair but reflect the broader transformation of red carpet fashion, challenging traditional perceptions of beauty, power, and gender. We’ve come a long way from Harry Styles teaching men how to rock a pearl necklace to today’s lineup of boundary-pushers like Coleman Domingo, Jeremy Pope, and of course, Pascal himself. Today, the red carpet is fast becoming a place where self-expression thrives, and masculinity is no longer confined to a three piece suit.
Central to Pascal’s fashion evolution is his partnership with stylist Julie Ragolia. Known for her work with actors LaKeith Stanfield and Jake Gyllenhaal, Ragolia brings a nuanced understanding of menswear that seamlessly blends classic tailoring with contemporary edginess. This collaboration has positioned Pascal at the forefront of fashion discourse, allowing him to navigate the delicate balance between mainstream appeal and avant-garde experimentation.
Pascal often uses the red carpet to subvert conventional expectations of men’s fashion. At the 2023 Met Gala, he donned a bold Valentino ensemble featuring a red overcoat paired with black shorts and combat boots—a deliberate departure from traditional formal attire that sparked widespread conversation. His choice proved his willingness to take risks and challenge the rigid norms of masculine dressing. Esquire playfully raved about his “slutty little knees”, while GQ claimed he’d “just out Pedro Pascal’d himself.” In 2025, for “The Last of Us” Season 2 premiere, Pascal embraced a full Saint Laurent look from Anthony Vaccarello’s Fall 2025 collection wearing a cobalt turtleneck layered under a green tartan blazer and thigh-high leather boots. This audacious combination of bourgeois suiting with fetishistic footwear blurred the lines between traditional masculinity and sensuality, reinforcing Pascal’s role as a quiet disruptor in men’s fashion.
When he’s not walking the red carpet, Pascal’s off-duty style veers more towards the ‘dadcore’ aesthetic—a celebration of comfortable cardigans, high-waisted trousers, and vintage-inspired glasses. A recent papped moment on his way to tape “Jimmy Kimmel Live” captured him wearing dark-rimmed glasses and two plaid blouses tucked into a pair of wool trousers, exuding a geek-chic charm that resonates with many.
Pascal’s fashion choices also exude a deeply personal significance, shaped by the bond he shares with his sister, Lux Pascal, a transgender actress and activist. His support for Lux has been unwavering; when she publicly came out as transgender in 2021, Pedro celebrated her journey, describing her as “one of the most powerful people and personalities I’ve ever known.” This bond has influenced his fashion choices, with Pascal often using his public appearances as platforms for advocacy. In that same “Jimmy Kimmel Live!” appearance in March 2025, Pascal donned a bold t-shirt emblazoned with the phrase “Adult Content,” designed by trans artist Pippa Garner. The shirt was part of a collection supporting the Trans Justice Funding Project, an initiative dedicated to providing financial assistance to grassroots trans rights organizations.
Pascal’s style serves as a testament to the evolving landscape of men’s fashion, where clothing is used as a medium for storytelling and societal commentary. Pascal’s style not only reflects his individuality but also underscores his commitment to supporting marginalized communities, making him a pivotal figure in the ongoing dialogue about fashion and identity.
Whether he’s in thigh-high boots on the red carpet or a cardigan that looks borrowed from someone’s charming grandfather, Pascal’s style invites people to rethink what dressing “like a man” even means. And if there’s a takeaway here, it’s this: fashion gets way more interesting when you stop playing by the rules.
