
Tom Ford is known for his high-voltage allure—sharp silhouettes, unapologetic sex appeal, and that hint of taboo from his legendary Gucci years. Haider Ackermann, by contrast, is all hushed poetry, with fluid lines, thoughtful tailoring, and a quiet intensity that speaks to those who appreciate subtlety over spectacle. If Ford is an exclamation point, Ackermann is an ellipsis leaving, just enough to the imagination. But what happens when Ford’s bravado meets Ackermann’s restraint? Put them side by side, and you get tension and harmony, simultaneously.
“Dressing well is a form of good manners,” Tom Ford once said. That spirit shaped his provocative approach in the mid-’90s, sparking an obsession with high-glam sexiness. Ford’s trademarks? Dangerously low-slung trousers, glossy fabrics, and that sleek, hyper-confident energy that defined the fashion of that era. Think iconic cut-out dresses, bedhead hair, and an unwavering stare dripping with self-assured cool.



On the opposite side, Ackermann never shouts, his collections speak in whispers. “I like a very sensual woman or a woman who can play with her own masculinity,” he said in an interview. That tension drives his work, where softly draped fabrics meet structured jackets in palettes that feel both restrained and dramatic. It’s minimalism that’s anything but timid.



In 2023, Ford’s departure from his namesake label left many wondering who could inherit his legacy. The answer arrived at the Fall/Winter 2025 show in Paris, where Ford appeared backstage to welcome Ackermann’s debut, a symbolic passing of the torch for a brand newly under Estée Lauder. After a brief stint by Peter Hawkings, Ackermann brings the poetic edge he honed at Jean Paul Gaultier couture. His opening look, a short leather jacket with sleek leather pants, set the tone, suggesting both designers’ shared passion for enticing silhouettes.
When these two forces collide, the result is something measured but still undeniably seductive. If Ford is the jolt of electricity, Ackermann is the slow-burning candle. Both are fascinated with the body’s architecture, whether sculpted in glossy, figure-hugging pieces or wrapped in nuanced folds. It’s about balancing the loud with the quiet, the romantic with the raw.



While Tom Ford’s glamour rules the zeitgeist of head-turning celebrity dressing, Ackermann’s mindful minimalism speaks to a growing appetite for understated luxury. Evolving Ford’s MO doesn’t mean muting it entirely; it means a deeper tension between shape and shine, a push and pull between statement and secret. The Fall/Winter 2025 show brought this tension to life with tailored pinstripes, slashed evening dresses, and vivid color palettes that recalled Ford’s heyday, all refined through Ackermann’s lens. The result? It’s an evolution that magnifies Ackermann’s hush, softens Ford’s roar, and lands on a note of quietly electric intrigue.



Ultimately, both designers live in the same conversation: they care about seduction, whether it’s brazen or whispered. Put them in the same room, and you get a resonant clash, a soundtrack that could redefine modern glamour. So, what’s next for this newly minted synergy? If the Fall/Winter 2025 show is any sign, the future of Tom Ford under Ackermann’s thoughtful eye promises an intoxicating mix of theatricality and restraint. Grab your popcorn and slip on that precisely tailored blazer. We are still in the first act.
