This year’s Oscars proved that fashion is an equal partner in the cinematic celebration. Bold statements, archival revivals, and unexpected spins on classic silhouettes all made a case for how style drives the conversation. Below, a look at who wore what and how they owned it on the most-watched red carpet of the year.
Bianca Balti, the Italian top model, attended the Vanity Fair after-party in an ivory FENDI Couture dress from the Spring/Summer 2023 collection. The fluid georgette and satin fabric captured Kim Jones’s sleek approach to the house, offering an effortless elegance that played well against Balti’s poised runway pedigree.
Zoe Kravitz arrived at the Vanity Fair after-party in a black Saint Laurent that kept things simple at the front and played with architectural cutouts along her spine. A deep side part pulled into a low knot showcased the dress’s bold shape, while a stack of diamonds and a vivid manicure highlighted her understated edge.
Ariana Grande chose custom Schiaparelli Haute Couture, a pale pink bustier with sheer panels that glimmered under the lights. The piece was handcrafted with an abundance of crystal detailing, nodding to Daniel Roseberry’s flair for artful ornamentation. It marked her first Oscar nod for “Wicked,” and she dressed the part with her signature stage-ready finesse.
Selena Gomez appeared at the Vanity Fair celebration in a midnight-blue Giorgio Armani Privé column. The full-sequin fabric caught every camera flash without looking overdone. Styled by Erin Walsh, Gomez wore her hair in soft waves, letting a lone diamond necklace polish off the ensemble. Fresh off an acclaimed film, she seemed in her element.
Zoe Saldana walked the main event in a Saint Laurent gown that layered merlot satin tiers against a sheer, glistening bodice. She finished it with black opera gloves and a Cartier choker edged in emerald. It was classic Saldaña: purposeful yet low-key, done in partnership with Anthony Vaccarello’s current vision for the brand.
Kendall Jenner dove into Mugler’s Spring-Summer 1992 “Cow Boys” archive, picking a black rubber lace number with a high slit and strong shoulders. She kept accessories spare, amplifying the dress’s futuristic vibe. The decision felt refreshingly different for her, a nod to the house’s storied yet subversive roots.
Mikey Madison went vintage Dior, pulling from the 1956 “Bal à Paris” Haute Couture collection. The pink satin and black velvet strapless silhouette offered a timeless contrast to the night’s new-season pieces. Her choice signaled an affinity for fashion history that stood out in a sea of modern statements.
Gal Gadot wore a red Prada in double satin, shaped with side-pleated detailing that spoke to the brand’s knack for architectural silhouettes. Red suede platforms heightened the monochrome effect. She finished with a vintage Angela Cummings for Tiffany & Co. necklace from 1980, sourced directly from The Tiffany Archives, sealing the look with a rare find.
Cynthia Erivo chose custom Louis Vuitton in deep green velvet, sharpened with a structured collar and an oversized bow. Stylist Jason Bolden added Roberto Coin jewels and gold nails that took hours to perfect. With her Best Actress nod possibly cementing her EGOT status, Erivo’s style was as standout as her nomination.
Ciara wore a Dsquared2 jumpsuit from the Fall-Winter 2025 season, tailored to honor the brand’s 30-year mark under Dean and Dan Caten. It was a subtle reference to Dsquared2’s anniversary show that merged classic riffs with fresh collabs. Her look was proof that laid-back silhouettes can still carry a punch.
Lupita Nyong’o turned to custom CHANEL, reworked from a Spring-Summer 1991 haute couture piece. Ivory charmeuse and a crystal-laden bustier anchored the design, completed by a satin belt. As a CHANEL ambassador, she added High Jewelry accents in her hair—an inventive spin that matched her film’s Oscar buzz.
Michelle Yeoh arrived in a structured blue Balenciaga gown featuring a cape-like drape at the waist. She skipped heavy detailing, letting Demna’s craftsmanship define the silhouette. Having just worn the house for her “Star Trek: Section 31” premiere, Yeoh’s consistent picks hint at a deep synergy with Balenciaga.
Rachel Zegler stepped out in a sheer Dior Haute Couture tulle dress embellished with pearlescent touches. Stylist Sarah Slutsky paired it with diamond Chopard pieces that complemented rather than competed. The effect was light but arresting, balanced enough for a major red-carpet debut.
Elle Fanning switched looks for the after-party, choosing a black Givenchy cape dress crafted in sequin-laced Chantilly lace. A punchy red belt and matching patent pumps gave the outfit definition, a pivot from the white lace she wore earlier in the evening. The quick change showcased her ability to move between aesthetics without missing a beat.
Charlotte Lawrence wore a Valentino Pavillion des Folies creation by Alessandro Michele, featuring rose-and-gold organza, intricate floral motifs, and playful tulle ruffles. A neat satin bow at the waist gave a nod to the brand’s classical side, while the rebellious undercurrent of the collection kept it on-trend.
Margaret Qualley selected a black silk velvet gown from CHANEL, revised from a 2005 archival sketch. The open-back design and discreet train took over 150 hours to produce, complete with new High Jewelry that merged old-world luxury with a youthful slant. It perfectly balanced tradition and evolution.
